Music Editing in Final Cut Pro 10.4 and GarageBand By RippleTraining

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RippleTraining – Music Editing in Final Cut Pro 10.4 and GarageBand

• Choose the right music for your projects
• Discover music editing techniques
• Arrange drum and synth tracks
• Create music mashups
• Automate your music mix

Who this Tutorial is for:

Software Version: Final Cut Pro 10.4 or later and GarageBand 10.2 or later.

Run Time: 4 hours 2 Minutes

Project Media: Project Media is Included.

Type of Tutorial: Workflow Specific

Music Editing in Final Cut Pro 10.4 and GarageBand

1. Diegetic & Non-Diegetic Sound

• Introduction
• Diegetic Sound Vs Non-Diegetic Sound
• Reviewing a Scene Without Sound
• Auditioning Different Sound Designs
• Finding Sound Effect in FCPX
• Reviewing Non-Diegetic Sound
• Reviewing a Scene with Diegetic & Non-Diegetic Sound
• Crossing the Line Between Diegetic & Non-Diegetic

2. Emotive vs Minimal Scores

• Emotive Soundtracks
• Getting Inspiration from Soundtracks in iMovie
• Minimalistic Soundtracks

3. Atmospheric Scores

• Atmospheric Scores
• Opening the Sound Design Compound Clip

4. Stock Music Scores

• Using Stock Music
• Royalty Free Stock Music
• Examples of Royalty Free Stock Music

5. Music Tempo & Pacing

• How Tempo Changes a Project
• 50 Beats Per Minute
• 25 Beats Per Minute
• 85 Beats Per Minute
• 100 Beats Per Minute
• 120 Beats Per Minute
• 15 Beats Per Minute
• 200 Beats Per Minute
• Pacing & Tempo Notes

6. Editing Picture to Music Part 1

• Editing Picture to Music
• Adding Music to Your Project
• Marking a Range in the Browser
• Performing a Connect Edit
• Trimming Excess off the Head of the Clips
• Reviewing the Music Before Editing to it
• Cutting Video into the Project
• Jumping the Playhead to Markers
• Performing a Backtimed Edit
• Retiming a Clip
• Reversing a Shot

7. Editing Picture to Music Part 2

• Cutting to Music with Replace Edit
• Replacing the Slug with a Generator
• Cutting the Visual to Music
• Performing a Replace with Retime to Fit
• Performing a Replace form Start/End

8. Creating a Music Mashup Part 1

• Tips for Cutting a Music Mashup
• Reviewing & Marking the First Version of the Song
• Reviewing & Marking the Second Version of the Song
• Reviewing & Marking the Third Version of the Song
• Creating More Room by Hiding the Library Sidebar
• Understanding Roles

9. Creating a Music Mashup Part 2

• Replacing the Gap Clip with a Timecode Generator
• Adding the First Song Segment
• Adding the Second Segment
• Changing the Assigned Role
• Finding a Transition Point
• Aligning Waveform Peaks
• Adding Fades to the Overlapping Sections
• Finding Similar Music Elements for Transition Points

10. Creating a Music Mashup Part 3

• Cutting the End of the Mashup
• Changing the Role
• Aligning the Peaks
• Creating a Compound Clip
• Finding the Compound Clip in the Browser
• Opening the Mashup Compound Clip

11. Exploring the GarageBand UI

• Touring the GarageBand Interface
• Working with Time in GarageBand
• Zooming the Timeline
• The Transport Controls
• The Timeline Grid
• Changing the Measurement of Time
• Different Types of Tracks
• The Library
• Enabling Quick Help
• Track Header Controls
• The Smart Controls
• The Editor
• The Note Pad
• The Loop Browser
• The Media Browser

12. The Movie Track & Changing Tempo

• Working with a Movie Track
• Opening the Viewer
• Introduction to the Drummer Track
• Changing the Tempo
• Creating a Drummer Track

13. Working with a Drum Track

• Choosing a Drummer, Genre & Artist
• Choosing a Drummer Preset
• Changing the Complexity & Amplitude
• Changing the Drum Patterns
• Adjusting the Fills
• Adding Swing to the Drums

14. Editing a Drum Track

• Splitting the The Drummer Region
• Making Changes to the Separate Drummer Regions
• Adjusting the Edit Point of the Drummer Region
• Enabling Auto Select

15. Scoring a PSA with a Drummer

• Creating a New Project
• Choosing Your First Track
• Adding a Movie to Your Project
• Working with the Viewer
• Changing Your Drummer Style to Fit Your Project
• Slowing the Tempo Down
• Adjusting the Drummer Preset
• Trimming the Drummer Region to the End of the Project
• Having Your Drummer Play a Different Instrument
• Copying Drummer Regions to a MIDI Track
• Choosing a Different MIDI Instrument
• Modifying the MIDI Region in the Editor
• Updating the MIDI Region

16. Scoring a PSA with Loops Part 1

• Navigating the Loop Browser
• Narrowing Your Search in the Loop Browser
• How Project Settings Effect Loops
• Auditioning Loops
• Adding Loops to Your Project
• Extending Loops in the Timeline
• Looking Over the Project Notes
• Using Musical Cues to Draw Emotion
• Changing from Beats & Bars to Time
• Moving a Loop in the Timeline

17. Scoring a PSA with Loops Part 2

• Lowering the Pitch of a Region
• Offsetting the Duplicated Loops
• Adding an Effect to the Project
• Panning the Duplicated Loops

18. Installing Loops in GarageBand

• Choosing a Location for Your Loops
• Where Mac OS Stores Loops

19. Creating a Show Bumper – Part 1

• Reviewing the Finished Project
• Reviewing the Project Notes
• Marking Favorite Loops for the Project
• Viewing Your Favorites Only
• Choosing Some Additional Effects for the Project

20. Creating a Show Bumper – Part 2

• Adding Your Base Loops to the Project
• Extending the Loop
• Trimming a Loop
• Choosing the Best Part of the Loop
• Changing the Timing of a Loop
• Adding a Guitar Loop to the End

21. Adding Sound Effects

• Adding Effects
• Using Your Guides for Positioning the Sound
• Using Your Viewer for Visual Queues

22. Working with Software Instruments

• Editing a Software Instrument
• Changing the Software Instrument

23. The Keyboard & Musical Typing

• Using Your Keyboard as a MIDI Instrument
• Soloing Your Recording Track
• How to Play the Song
• Raising the Octave of the Keyboard
• Using Sustain

24. Recording a Software Instrument

• Using a Metronome
• Slowing Down the Tempo to Help with Recording
• Setting Your Count-in
• Recording
• Recording with a Cycle Range
• Setting how GarageBand Handles Multiple Takes
• Changing Takes

25. Creating an Atmospheric Score – Part 1

• Correcting Resolution in the Viewer
• Choosing a Synth Instrument
• Lowering the Pitch on the Keyboard
• Auditioning the Synth with the Video
• Working with the Transform Pad
• Recording the Synth Track
• How the Playhead Interacts with MIDI Notes

26. Creating an Atmospheric Score – Part 2

• Duplicating a Track Only
• Changing the Instrument
• Duplicating a Region
• Duplicating a Track & Its Contents
• Transposing the Sound
• Panning the Duplicated Sounds

27. Creating an Atmospheric Score – Part 3

• Checking Your Transform Pad Settings
• Adding an Arpeggiator Track
• Adjusting MIDI Note Timing in the Editor

28. Creating a Mashup in GarageBand

• Importing Audio to GarageBand
• Listening the Finished Mashup
• Soloing & Muting Tracks
• Isolating the First Part of the Mashup
• Duplicating the Track
• Leaving Room for Overlapping
• Using the Waveforms as a Guide
• Option Soloing
• Trimming the Region
• Finding Common Elements for Transitions
• Adding the Last Mashup Element

29. Mixing with Automation

• Enabling Automation
• Adding Keyframes to the Automation Line
• Creating a Curved Fade

30. Sharing Your Projects in GarageBand

• Checking Your Levels
• The End of Project Marker
• Checking the Preferences Before Sharing
• My Info
• Advanced Preferences
• Sharing to iTunes
• Creating a Ringtone
• Sharing to the Media Browser
• Sharing to SoundCloud
• Export Song to Disk
• Choosing an Audio Format

31. Sharing Projects with a Movie File

• Export Audio to Movie

32. Working with GarageBand Music in FCP X

• Importing a Song from iTunes
• Accessing a GarageBand Project in FCPX

33. Mixing D M & E Stems in FCP X

• Disabling your Skimming
• Having Multiple Versions of STEMS
• Changing the Roles of your STEMS
• Enabling/Disabling Clips in the Timeline
• Listening to the Project Before Mixing
• Enabling the Meters
• Watching the Levels of Individual STEMS
• Adjusting Audio Levels

34. EQ Carving in FCP X

• Applying EQ to Your STEMS
• Opening the Channel EQ Interface
• Frequency Ranges
• Working with the EQ
• Enabling the Analyzer
• Carving the Audio
• Adjusting the Q

35. Appendix

• Working with Stock Music
• Paid, Free, & Royalty Free Music
• Performance Royalties
• Stock Music Libraries
• Pros & Cons of Stock Music
• Finding a Composer
• Considering Logic Pro X

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